Rare
Workshop Fusion
In 2005, artist Judy Willoughby attended a day workshop I was
teaching on fairy tales. Afterwards, she approached me with the idea
of joining forces to put on a collaborative workshop experience in which
we take on the same subject matter but from our different areas of expertise.
I had admired Judy's work for some time and this seemed a unique opportunity
to explore new ground as a facilitator with a partner whose approach
towards the creative process, though using a different medium, felt
in sympathy with mine. The experience felt rare and exciting and we've
worked together ever since, aiming to stage a workshop each season.
Who
is it for?
This unique multi-disciplinary workshop is for writers and
artists of all levels of experience. Each activity is designed with
beginners in mind, to support them in taking steps into new creative
territory but established practitioners often find the exercises, as
well as the solidarity, useful in refreshing the system.
Workshop
Themes
Each two-day experience is characterised by its own theme, something
that both lends itself to the written and the visual arts, that has
the potential to be interesting from the point of view of aesthetics
as well as content, and something that offers the individual scope to
explore their inner-life and produce a series of works that make manifest
this inner-life. Past workshops include dreams, fairytales, secret gardens,
self-portraiture and objects of desire.
Workshop
Structure
Day one tends to be 'Writing Day' in which the workshop theme
is initially presented and discussed. Participants are then invited
to engage in simple guided writing activities that facilitate the creation
of personal narratives,
in either poetry or prose, which explores the given subject matter.
Day two,
usually 'Painting Day', invites participants to use their written imagery
as
a starting point for visual expression. After a series of warm-up techniques
intended to free up the more wary artist, individuals are supported
in transforming the elements of their textual pieces into new and visible
forms.
Processes
and Possibilities
Each activity is designed to be simple but processes that are taking
place beneath the surface are evidently rich and complex. Through making
these transitions from one artistic discipline to another, we come to
see our subject anew. Unseen metaphoric and aesthetic properties of
each of our images are revealed, enabling fresh questions to be asked
and suggesting fresh directions for the work to take. This shift between
art forms, or between sensory modalities, or between looking, reading
or listening, seemingly allows for different parts of the self to be
in conversation with one another, particularly the conscious and the
intuitive. So for the writer to experiment with visual art forms and
for the artist to experiment with words and language, doors to previously
untapped sources of creative material can be unlocked, and new insights
into one's subject gained.
Price:
£65 for the two days. £20 deposit secures you a place. All
art materials are included in the price.
Location:
Courses are run in Wiveliscombe / Milverton and Taunton Area
Date:
Please contact Briony for details of the next two-day workshop.